Inside the Dome: Keigo Tanaka
The Labyrinth Dome was built for moments like this.
Before the mind bends, the room must breathe. Keigo Tanaka arrives to open the evening with a practice that sits somewhere between sound design and visual art: ambient frequencies translated into living cymatics, water mandalas projected across the dome’s curved architecture. Sound becomes geometry. Vibration becomes visible.
This is not background music. It is the construction of a container, a 360-degree field where acoustics and liquid light wrap the room, priming the senses for what follows. The dome amplifies everything. Tanaka knows this. His set is calibrated for the space: patient, immersive, designed to dissolve the boundary between hearing and seeing.
The evening begins here. The magic starts at 7:30 PM.